The K-Pop Fans Perception Over a Cancel Culture Phenomenon
Main Article Content
Abstract
This study examines the perception of K-pop fans towards a cancel culture phenomenon that is happening. The background of this thesis begins when cancel culture emerges and has been used against certain individual or groups of people as an act of boycott. This cancel culture is also happening within K-pop communities as an act of cyberbullying and has been used as a common term in social media platforms. This study uses qualitative as a research method with phenomenological approach to gain deeper information from the respondent. With semi-structured interview as a data collection method, this study expected to give a different experience from the respondent regarding cancel culture. As the results, six respondents have similar perception over a cancel culture phenomenon as most of them agree that cancel culture is inclined to the negative side. Although overall, cancel culture has both positive and negative sides. This research also finds that most respondents never experience the cancel culture phenomenon themselves, but someone that they know in K-pop community has experienced the impact of cancel culture. Therefore, hopefully this study can be used as an awareness from using social media platforms. It will also be able to consider a regulation to make social media platforms a safe space for people to use in the future.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
References
Andriani, Anwar, C. R., Akram, N. F., & Alimuddin, N. A. (2020). Cyberbullying Among Teenage K-pop Fans. Jurnal Kajian Psikologi Pendidikan dan Bimbingan Konseling, 6, 09–16. https://doi.org/10.26858/jppk.v6i2.16696
Bangun, C. R., & Kumaralalita, N. (2022). Kim Seon Ho, You Are Cancelled: The Collective Understanding of Cancel Culture. Komunikatif: Jurnal Ilmu Komunikasi, 11. https://doi.org/DOI: 10.33508/jk.v11i1.3785
Bedingfield, W. (2020, Juni). How K-Pop Stans Became an Activist Force to Be Reckoned With. WIRED.
Blake, R., & Sekuler, R. (2006). Perception (5th ed.). McGraw-Hill.
Bodegon-Hikino, K. (2021). How the K-Pop community connects fans with the real side of their idols on Twitter. bandwagon.
Bromwich, J. E. (2018, Juni). Everyone Is Canceled. The New York Times.
Coren, S., & Girgus, J. S. (1980). Principles of perceptual organization and spatial distortion: The gestalt illusions. Journal of Experimental Psychology: Human Perception and Performance, 6, 404–412.
Dudenhoefer, N. (2020). Is Cancel Culture Effective? Pegasus.
Eliani, J., Yuniardi, M. S., & Masturah, A. N. (2018). Fanatisme dan Perilaku Agresif Verbal di Media Sosial pada Penggemar Idola K-Pop. Psikohumaniora, 3, 59–72. https://doi.org/10.21580/pjpp.v3i1.2442
Goldstein, E. (2010). Sensation and Perception (8th ed.). Wadsworth Pub Co.
Griffiths, J. (2018, September). Can K-Pop stars have personal lives? Their labels aren’t so sure. CNN.
IvyPanda. (2020). The Perception Process Stages – Psychology.
Kumar, A. (2022). The Second Generation of K-pop: The Golden Age. Hallyuism.
Lee, J. (2021). Dispatch Korea | All About The Nation’s Biggest Paparazzi Media & Celebrity Romances Revealed By Them. creatrip.
Nugraini, E. D. (2016). Fanatisme remaja terhadap musik populer Korea dalam perspektif psikologi sufistik: studi kasus terhadap EXO-L. Universitas Islam Negeri Walisongo Semarang.
Palomares, M. A. P., Dumlao, R. S., Cabacungan, L. J. R., Acera, A., Ancheta, W. M. V., Gelacio, R. R., Martin, B. M., Abordo, C. B., Aglugub, R. B., & Balmaceda, D. Z. (2022). Cancel Culture: A Case Study on the Experiences of “Called Out” Person in Social Media. International Journal of Arts, Sciences and Education, 3(1), 121–142.
Putri, W. S. R., Nurwati, N., & Budiarti, M. (2016). Pengaruh Media Sosial Terhadap Perilaku Remaja. Prosiding Penelitian dan Pengabdian kepada Masyarakat, 3, 1–154.
Rahayu, A. (2020). Teachers’ Perception on Hidden Curriculum. Universitas Islam Negeri Ar-raniry Banda Aceh.
Rahmawati, C. T. (2020). The Massive Korean Wave in Indonesia and Its Effects in the Term of Culture.
Rashid, R. (2022). Cyberbullying by K-pop Fans Must Stop. Medium.
Rin, C. H. (2021, April). Seo Ye-ji’s 4 Biggest Scandals Explained: Accusations the It’s Okay Not to be Okay Star Manipulated Ex-boyfriend Kim Jung-hyun are Just The Beginning. SCMP.
Saripah, I., & Pratita, A. N. (2018). Kecenderungan Perilaku Cyberbullying pada Peserta Didik Berdasarkan Jenis Kelamin. Pedagogia, 16, 180. https://doi.org/10.17509/pdgia.v16i3.13553
Soheili, K. (2019, Desember). K-pop Stars Tell Us about The Dark Side of Their Industry. Insider.
Syakhrani, A. W., & Kamil, M. L. (2022). Budaya dan Kebudayaan: Tinjauan dari Berbagai Pakar, Wujud-wujud Kebudayaan, 7 Unsur Kebudayaan yang Bersifat Universal. 5, 782–791.
The Jakarta Post. (2020, September). Indonesians among K-pop’s biggest fans: Twitter.
Vaterlaus, J. M., Beckert, T. E., Tulane, S., & Bird, C. V. (2014). ‘“They Always Ask What I’m Doing and Who I’m Talking to”’: Parental Mediation of Adolescent Interactive Technology Use. Taylor & Francis Group. https://doi.org/10.1080/01494929.2014.938795
Watts, S., & Goodfriend, W. (2022, April). Schemata Overview.
Yakovlev, M. (2021, Agustus). Cancel Culture Series: Interview with Frankie Morgan. Media Diversity Institute.